Modern life

Once upon a time…

Drawn from: anywhere in the world, Present world story, Trickster, the sentence: once you stray from the path you are lost entirely. Told in English.

We were never much for plans. If you asked my mother, she’d say we have always been good improvisers, a family that can stitch a weekend together from Tupperware leftovers and the last half tank of gas. My father used to joke that we were like trolleys in the old days: no matter how crooked the lines looked, they always found a way to end at the depot.

We live in a weathered house in Joliet, with aluminum siding that shines too loud in summer and peels just enough to embarrass us in winter. Our front yard is a rectangle of grass bordered by patches of cracked dirt where the grass always refuses to grow. There’s a maple tree whose roots push up the sidewalk, and if you stand at the curb and look left, you can see the Methodist church spire poking up over roofs, a reminder that, once, our town believed in aim and arrow, in people knowing what they were pointed toward.

The story we tell now is about one Thursday that started with the gentle clang of dishes and ended with police lights ghosting across that maple tree. That morning, my mother was packing her lunch—turkey and mustard on brown bread, a little container of carrot sticks—humming something from the radio. My father was already gone, his lunch pail missing from its hook by the back door. The youngest of us, Abby, sat at the table with a pencil and a math sheet, her hair a mess of curls she insisted on taming herself even though she always left a bit of breakfast in it.

Tom, our oldest, came down the stairs slow. You could tell the pace of his feet by the sound on each step. My mom calls it her upstairs barometer. Thud-thud meant he’d slept through his alarm, thud-thud-thud meant he was running late on purpose. That morning: thud… pause. Thud. Pause. He was wearing the hooded sweatshirt we’d asked him to stop wearing. Gray with a high school logo peeling off it. Eyes rimmed dark, jaw stiff like he’d been grinding his teeth all night.

“You’re not wearing that to the interview,” Mom said. She didn’t look up from her carrots.

Tom shrugged. “They don’t care what I wear. It’s at the warehouse.”

My mother made a noise in her throat. It wasn’t disapproval, exactly. It was the sound she made when she wanted to keep the peace enough to get through breakfast. “Your father already left. He said call him if you need a ride after,” she said. “It’s a good job, Thomas. Good hours.”

We had rehearsed this with him. It was a temporary gig scanning boxes in a cinderblock building off Route 6, the kind of place where the lights make your skin look green and the floor always seems damp. He didn’t want to do it. He wanted to leave, he’d said. Not just the house or the town, but the gravity that held us all spinning in the same small orbit. It was poetic when he said it late at night on the porch with his friends. It was less poetic when he walked past the sink and didn’t rinse his cereal bowl.

“Wear a shirt with buttons,” I said. I’m his sister, one year younger. That gives me the right to say things I’d hate if he said them to me.

He didn’t answer. He was looking at his phone. Every day that week, his phone had been busy in his hand, lighting his face from below. Our cousin Mira said that meant there was a girl. Our aunt Linda said it meant there was a scam. Either way, the light made him look like a stranger.

By noon, he wasn’t answering texts. My mother’s calls went to voicemail. She wasn’t the sort to worry out loud. She had learned the hard way that worry said too soon becomes nagging. My father worked until four and came home with his empty thermos and shoulders that slanted like he’d been walking uphill all day. He asked whether Tom had called. “He’s out being twenty,” he said, and rubbed at his temples.

The thing is, when we talk about Tom now, we talk like we are in the middle of it, because it feels like the middle could stretch on forever. That Thursday, there was a moment, a before-and-after, that other families in town recognize from their own living rooms. A text from a number we didn’t know, past dinner, while the news burbled about a city we’d never visit. It was a picture of Tom’s face, too close and grainy, and a sentence: We need to talk about your son’s debt.

Debts either make sense or they don’t. The ones that make sense are things like the credit card bill you’ve been ignoring, or the loan your uncle gave you when your car died. The ones that don’t make sense are the ones that appear out of the air and plant themselves in your life like a stray cat you fed once. My mother’s fingers shook, but her voice didn’t. “Who is this?” she typed. She didn’t use punctuation when she was serious.

An address came back, a corner store we knew on Meadow Street, the kind of place that still sells cigarettes by the single and old VHS tapes from a plastic bin under the counter. My father stood up slow. There was a silence you can only have in a house that has known noise, like everything else was holding its breath with us. The maple leaves outside had just begun to curl on the edges even though it was only May.

We didn’t go to the store, which in hindsight feels like a decision we didn’t know we were making. Instead, my father called the police, who told us they’d send a car by the corner and that we should stay home. We called Tom’s phone again. Straight to voicemail. Abby cried in hiccups then fell asleep on the couch with her face turned to the cushion. Aunt Linda came over with a cake she’d made for no reason that morning, the way people do things before they know why they’re doing them.

It turns out the boy at the counter at that store had seen Tom earlier with a guy named Richie, who wasn’t named Richie, who was the sort of person our town keeps making with terrible efficiency. A person who is good at finding the exact hairline cracks in other people’s plans and prying until they become decisions. Tom had owed him money, and a ride, and a favor. The debts were small until they weren’t. Once you stray from the path you are lost entirely, Aunt Linda said that night like it was a proverb we forgot we knew. She said it gently, like a lullaby.

It’s easy to call back toward the path when you have a ceiling fan and a dining table that has a burn mark where someone left a pizza box too long. It’s different when you’re walking outside with someone who waits for pauses longer than yours. Before we learned all the details, we learned that a car had been found at the edge of the slough, nose buried in cattails. It was our car. The red Toyota with the dent from backing into the mailbox last winter. The police left it there, taped off, while they walked around with flashlights. Tom wasn’t in it. The lights moved like ghosts on the water.

Neighbors came to the fence the next day. That’s the way it is here. Tragedy is public, private life a rumor. They brought casseroles and lawn chairs and their own stories, because stories are a kind of transaction. You give one to get one. Mrs. Ferro from across the street told us about her cousin’s boy who took money from a payday place in Crest Hill and ended up working nights at an outlet mall in Wisconsin to pay it back. Mr. Bloom told us about Lane, from two blocks over, who disappeared for two days in November and then turned up at his grandmother’s house in Indiana with frostbitten ears.

The police interviewed us, took my mother’s phone, asked whether Tom had ever been violent, had ever used. Words that felt like coats we had never tried on before. We said he had been angry sometimes. We said he had smoked weed in the garage a few times last year, and that we had found a burnt spoon in a shoebox once, and that he had cried and said it wasn’t his. Saying these things out loud made them more true than anyone wanted.

Day three, we got the call. Tom had been found at a motel off I-55, the kind behind a diner that burns the bacon and gives out coffee in cups with hairline cracks. He was in the lobby when the officer walked in, like he had been waiting to be found. There was a bruise on his cheek, purple like a painting, and a cut on his hand. He had our car keys in his pocket and forty dollars cash, folded into a square. He was fine, they said. He was quiet. He was sorry.

When we brought him home, the house slotted back into a shape it recognized, like the furniture had been rearranged back to where it belonged. But something had changed, and if you live in a place like ours, you know that keeping the same picture frames doesn’t keep the same picture. He went to his room and slept for fourteen hours. He woke up and ate a bowl of cereal standing at the sink because none of us could figure out how to sit.

“Richie?” my father said.

Tom nodded. “He’s gone,” he said. His voice was the voice he used when he’d taken apart a toaster and couldn’t put it back together.

“Gone where?” my mother asked.

Tom shrugged, and I could tell he didn’t know. He told us what he could. A little money for gas, a favor to pick up a boy from a bigger town, a bag to hold that he didn’t look inside. It wasn’t even that he wanted to be dangerous; he wanted to be interesting. It isn’t the same thing, but it overlaps in bad ways.

The thing about being a family is that your decisions are like dominos on a long dining table. You tip one and the fall takes a while to reach the centerpiece, but when it does, the flowers go over. People who tell their stories with clean morals make it sound like there was a moment we could have turned in unison and grabbed that domino. Maybe there was. Maybe it was the night he came home with new shoes and no bag from the store. Maybe it was when he refused to bring the garbage cans in from the curb on a windy day and called the cans “yours.”

We did the things you do after. We went to a counselor in a brick building that used to be a bank. The counselor had plants that clung to long strings and a calm way of handing out tissues like they were maps. She told us that shame is a glue that sticks families to the worst version of their story. She told Tom that people who offer simple answers to complicated hunger always collect in the end. He nodded like a polite student. On the ride home, he stared out the window and said the maple was too close to the sidewalk and someone was going to trip.

Summer came like a forgiveness and then withdrew, and the warehouse called to say the position was still open. My mother drove him there on a Tuesday, and he wore a shirt with buttons. The light in the building made him look sick. They showed him how the scanner beeped and how to print labels, and he came home tired and proud, the way he used to come home from little league covered in dust he refused to wash off until we’d all seen.

On a Friday in August, the boy named Richie—or not Richie—called again. Different number, same tone. He didn’t ask for money this time, he asked for time. Just an hour, just a drive, just a stop. The thing about being lost is that the path is not a line. It’s a shape you make each day with your small decisions. Tom didn’t tell us about the call. He took the car after dinner and said, “I’m going to get ice cream,” which is the sort of lie a family knows to distrust and accept anyway because the alternative is turning into a prison.

He came home late, sober, with no ice cream and a stiffness to his walk that we recognized. It’s a funny thing about hope. It doesn’t get tired; it gets tired of being wrong. We didn’t stage anything, not that night, not yet. We had learned that cornering someone is how you get bit. There are books about this. We didn’t have those books, but we had instincts and the memory of police lights on the water.

The next week, he told his manager at the warehouse he needed the late shift. “More money,” he said, and it was true. More money, more time in a building where no one asked him where his friends were. He got rides from Paul, a soft-faced man in his fifties who called everyone “bub” and kept a tin of mints that tasted like medicine. Paul had a story too, we learned eventually. Everyone does, even the kind men with mints.

By Halloween, we were the kind of family that went trick-or-treating in a cluster, not because Abby needed us—she didn’t—but because we needed to prove to ourselves that we could be the sort of people who smiled at neighbors and congratulated teenagers on their costumes. Tom walked with us, hands in his pockets, and made a joke about the full-size candy bars on Oak. The joke worked. The night was fine. The air smelled like leaves and something burned. When we got home, there was a letter in the mailbox addressed to “Resident.” Utility notice. The total past due number bigger than the other numbers.

Maybe this is the part where the story rides a curve back to steady. Maybe this is where the trolleys make the depot. Maybe this is the part where we say that, after everything, Tom chose one path and we chose to stand on it with him, and the cracks filled in with ordinary life. That did happen, some of the time. He woke up for shifts and he came home. He ran the dishwasher without being asked. He nodded at the counselor and said, “I hear you,” which is how attendance becomes belief.

But also: we learned the long way that our town is an ecosystem. People like Richie—whoever he was—don’t vanish. They get replaced by a cousin, by a rumor, by a kid from the next neighborhood with an easier smile. Once a week, we still got calls with numbers we didn’t recognize. Once a week, my mother said, “No, thank you,” to silence on the other end. Once a week, my father put the garbage cans back at the side of the house and stared down the street like he could see trouble coming.

We tell this story to ourselves for different reasons. My mother tells it because she believes in rituals, in naming the days that could have ended another way. My father tells it because silence turns into a shape you have to carry around. I tell it because Abby is eleven now and smart, and she is already the kind of person who thinks that a plan is a spell. I want her to know that spells work, but that sometimes the wind blows the candles out.

Once you stray from the path you are lost entirely, Aunt Linda says, and we don’t argue with her. But in the mornings when the coffee is thin and the maple throws good shade over the sidewalk, I watch Tom walk to the bus stop with his lunch in a grocery bag and a book in his pocket. He’s reading again. There’s a streak of something like ash on his sleeve—a smear that will wash out—and a way he pauses before stepping off the curb, looking left and then right, that makes me realize we have invented this path as we go.

We didn’t fix all the things that are wrong in our town. We didn’t fix ourselves, either. The warehouse cut hours in January, and we had to decide which bill gets paid late. The slough froze over in a sheet that made the news because the geese walked on it like men. The store on Meadow changed owners, and now the counter has a bell that never rings. But on a Sunday afternoon in March, Tom sat at the table with Abby and helped her with her math. He explained the difference between mean and median. He got it wrong at first and then corrected himself. He laughed at his own mistake, which he hadn’t done in a long time. His laugh was the same as when he was seven and we found frogs under the concrete lip of the park fountain, surprised and delighted, everything a discovery.

People want climaxes. They want someone to get arrested, to go to rehab, to find God, to relapse, to redeem themselves in a text-book way. Our story refuses the neatness. It is messier and more ordinary. It’s a headcount at dinner and a search of pockets before laundry. It’s a list on the refrigerator of the numbers we can call when the car doesn’t start. It’s knowing the front door squeaks, and deciding not to oil it so we can hear when someone comes home.

We lay paths with what we have. Sometimes that’s carrot sticks and tissue boxes and a neighbor’s lawn chair. Sometimes it’s the courage to not answer a call. Sometimes it’s the willingness to keep answering. We tell this story because it happened, and because the real things we live through rarely make the paper unless they go wrong in a way that makes for a neat headline. Because we want a record of the nights we stayed up and the mornings we poured coffee and stood at the window together, watching the bus come, and saying nothing as our boy climbed aboard. Because that saying of our aunt’s is true in a way, but incomplete. Once you stray from the path you are lost entirely—but the miracle is that you can stop, you can stand still, and sometimes the path curls back toward you like a faithful thing. And sometimes it doesn’t. Either way, there we are, a family, inventing what it means to keep going.

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