Once upon a time…
Drawn from: Lithania, a story set in Post Apocalyptic World, a random character related to $selectedTheme, feeling of awe and wonder. Told in English.
They woke to frost singing in the rafters.
Rasa’s breath made little clouds above the woven blanket. Across the room, her grandmother’s prayer strips—thin birch bark etched with looping sun symbols—hung in a neat row over the window. Outside, the world had settled into blue: snow dunes like sleeping whales, trees glazed into glass, the river locked but humming beneath.
They called this a small ice, polite and careful in the way Lithuania names weather. Not the end of the world—just a long holding of breath. People moved underground, into cellars fattened with root crops and lamps that smelled faintly of spruce pitch. But the old surface ways never left. On days when the north wind softened, they put on felted boots and went out to talk to the sky.
Today was Jonas’s thirty-third winter, and he wanted to see the lights that had been stitched across the river—long bands of pale luminescence fed by warm springs and algae farms. Everyone called them ežero žvakės, lake candles. The elders muttered different words: laumės juosta, fairy ribbons. Rasa thought both could be true.
She strapped on her father’s snowshoes, leather cracked and patched with new fiber. The cold was clean and metallic, the kind that bites but then numbs you into daring. Jonas followed, carrying a reed flute wrapped in wool. He had begun to learn the old tunes from the online archive when the storms first came; now, when he played them at the vents, the ice seemed to answer.
At the river’s curve, a fog of warmth rose from a fissure. The glow spread out like a slow heartbeat. People arrived from the clustered houses—Auste with her newborn under layers of wool, Matas in a jacket quilted from carrot-sack canvas, grandmother Ona with her bark strips tucked in her pocket.
“We keep it bright so the fish stay,” Ona said. “We keep it bright so the nights don’t eat our stories.”
Jonas set the flute to his mouth. The first notes were thin, a reed drying in cold. Then his breath warmed the wood, and the old melody—an ancient circle dance with a name that translated roughly as Fox Wedding—unspooled into the open.
Above them, an arc of green lifted from the horizon, sudden as a gasp.
Some stepped back, old fear pricking through coats and rites. Once, such lights were omens. In the small ice, they were power lines of heaven, whispering charge. The river’s skin cracked, scolded, sighed. Rasa felt the awe rise like heat under her ribs, the kind that makes you want to run from the bigness of the world.
She reached for Jonas’s free hand. His gloved fingers squeezed once, anchoring. Around them, voices braided—prayer, laughter, a lullaby. A child held up a glass jar, catching green on the inside wall. Someone fed a strip of birch bark into the vent, and it hissed, released the smell of summer storms.
The aurora leaned down until the snow showed its reflection. The lake candles answered, casting a second river across the ice. Rasa stood in the seam between them—old fear in one palm, new wonder in the other—and listened as the flute stitched their smallness to the sky.
Did it land?